Val McCallum: The Humble Journey of a Session Musician
Despite collaborating with renowned artists like Sheryl Crow, The Wallflowers, Bonnie Raitt, Lucinda Williams, and Jackson Browne, Val McCallum remains modest about his status in the music industry. He doesn’t consider himself a sought-after session musician, showcasing a humility that is both refreshing and relatable.
Reflecting on his early days, McCallum shares a humorous anecdote about his musical journey. “My mom promised me a car if I learned to read music,” he recalls with a chuckle. “Well, I didn’t get that car!”
Finding His Place in the Music Scene
At just 19, McCallum found himself in the company of influential musicians, yet he struggled with self-doubt. “I was entirely lost,” he admits. “It took time for me to find my footing, to relax, and to trust my abilities.”
He continues, “Working with legends like Randy Newman or Jackson browne can be intimidating. You have to project confidence, even if your feeling anything but. Sometimes, you just have to fake it and silence that inner critic that questions your presence.”
Embracing Confidence and Growth
Now, as he pursues his solo career and plays with his band, Jackshit, while touring with Browne, McCallum has shed much of his earlier uncertainty. “You come to realize that you belong there.You actually know what you’re doing.Trust your instincts, contribute, and be assertive. Artists appreciate that.”
A Memorable first Recording Experience
McCallum’s first foray into a recording studio was serendipitous. A friend’s father, who represented Ringo Starr and Harry Nilsson, encouraged him to showcase his guitar skills. “I remember running to my car to grab my guitar when I was asked to play for Harry,” he says. “He invited me to record for a Yoko Ono compilation album, and that session included the legendary Jim Keltner on drums. I was just 19.”
Following that experience, Nilsson became a mentor to McCallum, guiding him into the world of studio work. “Jim Keltner recommended me for various projects, and that’s how my session career began to take off.”
Reflections on Session Work
When asked if he ever aspired to be a session musician, McCallum responds, ”I’ve done my share of studio work, but I never saw myself in the same light as my idols like Tommy Tedesco or Larry Carlton. They were the real session pros, constantly juggling multiple gigs. I stumbled into this world and feel lucky to still be part of it.”
Gear Evolution Over the Years
Recalling his early gear, McCallum mentions, “For that Nilsson session, I had a ’62 reissue Stratocaster and a jim Kelly combo amp, along with a couple of pedals: an Ibanez TS9 Tube Screamer and a Boss CE-1 Chorus Ensemble. I still cherish those pedals!”
As time went on, he upgraded his setup, acquiring a substantial rack system to be taken seriously in the studio.”It had a Soldano preamp and various effects, but honestly, my original setup sounded better.”
Collaborating with Sheryl Crow
McCallum’s connection with Sheryl Crow began when he was performing with michael Penn.even though he initially missed the opportunity to join her touring band,he later contributed to her acclaimed album,The Globe Sessions. “I loved what I played on the track Crash and Burn, using her vintage Tele Custom,” he recalls. “It was a special experience.”
working with Lucinda Williams
His collaboration with Lucinda Williams was another highlight. “She had seen me play with my band, Jackshit, and invited me to work on her album, Blessed. I’ve always admired her songwriting and felt a deep connection with her music.”
McCallum acknowledges the challenge of performing with Williams,given her extensive catalog and unpredictable setlists. “Every night was a new adventure, and I loved the spontaneity of it.”
gear Choices for Iconic Collaborations
when recording with Williams, McCallum favored a ’64 Princeton Reverb amp paired with a selection of vintage guitars, including a ’30s Gibson Roy Smeck. “Her approach to music is so organic, whether in the studio or on stage. Everything is recorded live, capturing the essence of the moment.”
Joining Jackson Browne’s Band
McCallum’s journey with Jackson Browne began while playing with Vonda Shepherd. Browne, impressed by his performance, invited him to contribute to a track on his album. “I was nervous but excited. It felt like an audition,and thankfully,it went well. He later asked me to join his band.”
“Jackson has a keen ear for detail,” McCallum adds.”He appreciates authenticity in performances, and it’s essential to stay prepared and engaged.”
Current Projects and Future Aspirations
McCallum is currently finalizing his fourth solo album,titled As If we Didn’t know,in collaboration with his friend Rudi Maier. “We’re in the mastering phase, and I’m excited for its release in the coming months,” he shares. “While studio work fluctuates, I continue to record from my home studio.”
Staying Relevant in the Music Industry
When asked about maintaining relevance, McCallum reflects, “I’ve never felt notably in demand. I believe in staying active and open to opportunities. Don’t dismiss projects because you think you’re above them; every experience can lead to something greater.”
