If you’re grappling with Gear Acquisition syndrome (G.A.S.), you might want to skip this interview. Keith Urban is a notorious enabler when it comes to acquiring gear!
Urban’s passion for guitars, amplifiers, and pedals is palpable in this edition of Bought & Sold. He dives into teh world of rare vintage instruments-like that coveted Nocaster-and shares his belief that every guitar has it’s own unique charm.
Sometimes,a tone that seems ”wrong” can actually be just right. just ask the legendary Stooges!
First serious Purchase: A Journey Through time
What was the first significant guitar you purchased with your own funds?
To me, every guitar holds meaning! My first was an Ibanez copy that set me back $146. At just nine years old, that felt monumental.
However, the first guitar that truly stands out is a 1982 Fender Stratocaster in Candy Apple Red. I bought it at 15 for nearly $1,000, which was a staggering amount for me back then.
Recent acquisitions: Expanding the Collection
What was your latest guitar purchase, and what motivated it?
It’s been a while since my last purchase, but I recently acquired a 1972 Fender Mustang bass. While it’s not a guitar, I enjoy playing bass and often incorporate it into my songwriting, even featuring it on some of my records.
Unforgettable Finds: The Thrill of the Hunt
What’s the most remarkable deal you’ve ever scored on a guitar?
That’s a tough one! It feels like a territory reserved for Joe Bonamassa, doesn’t it? [laughs] I once stumbled upon Tom Keifer from Cinderella selling his Nocaster at Gruhn’s.I played it, fell in love, and made the purchase.
I can’t recall the exact price, but it was definitely worth it. this guitar is remarkable, boasting some of the most dynamic pickups I’ve ever encountered in a Telecaster. Everything is original, and I’m grateful to be its current custodian.
Regrets and Remorse: The One That Got Away
What’s your biggest case of buyer’s remorse?
While I haven’t experienced buyer’s remorse,I do have a case of missed opportunity! Years ago,I was at Carter Vintage Guitar in Nashville and passed on David Lindley’s iconic snakeskin-wrapped Dumble Steel String singer. I’ve regretted that decision ever since.
Its value has skyrocketed, and I often think about how much I would have loved to own and play that amp. At the time, I let practicality dictate my decision, but I wish I had taken the plunge.
Sentimental Attachments: The Ones We Let go
Have you ever sold a guitar you now deeply regret parting with?
Absolutely! I had a black Squier Stratocaster during the 80s that I played extensively in my cover band.It wasn’t anything special, but it held a lot of sentimental value for me. I can’t recall why I sold it, but I wish I hadn’t.
Recently,I almost sold a guitar but changed my mind at the last minute. It was a ’58 Les Paul burst. I hadn’t played it in a while, but when I picked it up, I was reminded of how lovely the neck felt. I decided to keep it after all!
Advice for Aspiring Guitarists
what’s your top tip for someone searching for thier dream guitar?
Brand loyalty doesn’t matter; inspiration can come from any guitar.
First and foremost, play the guitar. Can you afford it? It’s all about the connection you feel. If you pick it up and a new riff emerges, that’s a good sign! I’ve found inspiration in inexpensive guitars, discovering riffs I never played before.
Exploring the Guitar Shop Scene
When was the last time you browsed a guitar shop or checked online? What caught your eye?
It’s been a while as I visited a guitar shop, but I love wandering around and exploring whatever catches my attention-be it vintage or new, solid body or hollow body. I have no brand loyalty; every guitar has the potential to inspire.
Keith’s Go-To Rig: The Heart of His Sound
For my recent shows, my rig has remained consistent: a Dumble Overdrive Special Reverb and a Fender Dual Showman, both running through custom 2×12 cabinets. It’s not a stereo setup; it’s about blending the unique characteristics of each head.
I use several pedals, including a vintage Boss SD-1 Super Overdrive, a Boss BD-2 Blues Driver, and a Klon, adjusting my overdrives based on whether I’m using single coils or humbuckers. I also have a vintage ProCo Rat that I adore, along with a Fractal for delays and reverbs, and a Mr. Black SuperMoon for its unique sound.
Currently, I’ve been working with PRS on a custom guitar, which has become my primary instrument. I also have a ’64 Strat, my 40th Anniversary Tele named ‘Clarence,’ a Clapton Strat tuned down a half step, and a ’52 Goldtop Les Paul, which is incredibly versatile.
- HIGH is now available via Capitol Nashville.
- This article originally appeared in Guitarist. Subscribe for more!