The debut album This Changing Sky by the talented English classical guitarist Laura Snowden is a captivating blend of artistry and emotion.
Featuring 12 tracks, the album showcases her passion for spoken word, humming, and singing, all intertwined with her remarkable guitar skills, guiding listeners through a unique and theatrical experience.
Most of the compositions were crafted and recorded using a single guitar, reflecting an authenticity that resonates deeply.Laura employs a variety of harmonics and tunings, along with her signature glass slide, to fully explore the capabilities of her instrument.
Navigating the Journey
In her inaugural solo album,Laura narrates the evolution of a protagonist transitioning from feelings of disconnection and solitude to a more familiar and uplifting state.
“The album encapsulates the essence of losing oneself and the journey back to rediscovery,” she shares.
“It begins in a dramatic tone, gradually evolving into a more optimistic atmosphere. I appreciate the interplay of darkness and light. Some of the music I enjoy is intense and unsettling, yet I find comfort in knowing that others share similar emotions and experiences.”
“Simultaneously, I aimed to capture the intimate beauty of classical guitar, symbolizing the love and support from family and friends that guide us through challenging times.”
The Guitar Connection
laura’s primary guitar, crafted by renowned luthier Christopher Dean from Oxfordshire, has been her companion for nearly two decades.
“I cherish this guitar so much that I sometimes think I might stop playing if anything were to happen to it,” she admits. “It may sound dramatic, but my connection to it is profound. The guitar produces such vibrant and sweet tones, and I am deeply committed to it.”
“I often perform without amplification, as most venues I play in don’t require it. My essential accessory is the glass slide I use on The Unknown,where I play the guitar on my lap while humming.”
Exploring harmonics
One of the standout features of Laura’s playing is her innovative use of natural harmonics, including the ability to play two simultaneously, allowing one to fade, creating a bending effect, or using her voice to achieve similar results.
“I stumbled upon this technique while experimenting,” she explains. “The classical guitar has a engaging sound, rich in resonances. In the piece Home, I utilize harmonics to complement the main melody, adding a sparkle reminiscent of a music box. I strive to play to the strengths of the instrument.”
“While I could attempt to play something grandiose, I believe that’s not always what suits the guitar best.When I incorporate harmonics, I aim for enchanting sounds that few other instruments can replicate, embracing the magic inherent in the guitar.”
Mastering the Craft
Laura had the privilege of studying under the legendary Julian Bream, a luminary in the world of classical guitar, who invited her to perform the premieres of his latest compositions at Wigmore Hall.
“He imparted invaluable lessons about phrasing,” she recalls. “He encouraged me to trust my instincts and to listen to my own playing more closely. In classical music, you often interpret the works of others, but julian helped me find my own voice.”
“He would prompt me to consider the emotional narrative of the music. While I was focused on the score, he would say, ‘increase your volume here due to the drama, then soften as if you’re weary!’ His approach was filled with gestures and meaning, with emotional intent behind every note.”
Tuning Techniques for Unique Sounds
“Much of the classical repertoire is in drop D tuning,” Laura explains. “I occasionally use DADGAD,although I didn’t for this album. For Picking Up The Pieces, I tuned my A string down to G.”
“Tracks like The Puppet Master and The Unknown feature alternate tunings with four strings adjusted differently.Some pieces only have the low string altered: The Dragon’s Lair is tuned down to C#, while The Trap goes even lower to B. That deep note adds an eerie quality.”
“A important influence on my playing is Luise walker, a classical guitarist from the early 20th century.Her expressive and personal style has greatly inspired me.”
