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Peter Hook Unplugged: The Basslines That Shaped Joy Division and New Order - 'How Did I Pull That Off?

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The Legacy of Peter Hook: Crafting Iconic Bass ‌Lines with Joy Division​ and New Order

peter​ Hook’s bass lines ​are⁣ nothing short⁣ of legendary, echoing through the annals of music history ⁣with Joy Division, New‌ Order, and ​monaco.His unique ‍style often‌ takes centre ⁣stage, serving as​ the melodic backbone of many unforgettable tracks.

As Guitar Player connects with Hook,affectionately known ⁣as Hooky,he and his son Jack Bates are gearing up for their North American tour with Peter Hook⁤ & the Light. After parting ways with New Order in 2007,⁣ Hooky established this band in 2010, focusing on delivering live renditions of Joy ​Division and New Order classics.

Despite the apparent rift between Hooky ​and his former New Order ⁤bandmates, he finds joy and ⁤fulfillment performing alongside⁣ Jack, who ‍has​ made a name for himself as ‌a touring bassist with the Smashing Pumpkins.

Jack Bates (left) ​and Hook perform with Peter Hook & the Light in Perth, australia.
(Image ⁤credit: ⁣Mark Diggins)

“I still remember the day you took me to buy⁢ my first bass,” Jack reminisces, chuckling. “The shopkeeper offered a discount if you played some Joy Division on it.”‌ That⁤ first instrument was a⁣ green ⁤Yamaha RBX, which Jack still cherishes.

“Whenever ⁤these ‌kids ran forward to spit ⁢at Ian, I​ would bang the curl in their ear. I got seven in one night!”

– Peter Hook

Hooky’s Early Instruments: A ‍Journey of revelation

To grasp Hooky’s bass philosophy,one must understand his ⁢early experiences ⁣with instruments. He began with ‍what he affectionately calls “the £30 one” ‌in 1976 ​- an Echo imitation of a Gibson SG, wrapped in⁣ bin bags ⁢by a Manchester music shop owner. The seller wanted ‍an extra five pounds for a hard case, but Hooky opted to save that for bus fare home.

His subsequent instrument, a Hondo, was even ‌worse – a Rickenbacker replica that literally fell apart during a performance. During one gig,as ‍he struck⁤ an open E,the⁢ string jumped‌ off the ‌neck.

“It was‌ such a terrible guitar,” he recalls. His stepfather even crafted a holder to keep​ the strings ​in place.

Though, that⁢ Hondo became iconic in⁢ hooky’s narrative, accompanying him during early Joy Division performances alongside Ian Curtis, bernard ​”Barney” Sumner, and Stephen Morris.The band evolved from their previous project,Warsaw.

“I had the Hondo with a little curl on​ the top,” he explains. “Whenever those kids ran forward ‍to spit at Ian, ⁣I would bang the curl in their ear. It did knock the guitar out of tune, which ⁣made Barney frown, but it was a ⁣price I paid to protect Ian.”

Jack Bates (left) and former Joy Division/New Order bassist Peter Hook⁢ of Peter Hook & the Light​ standing before a mural in tribute to the late Joy Division singer Ian Curtis

Standing before a mural in tribute to the late Joy Division singer Ian Curtis in Wellington, New Zealand.
(Image credit: Courtesy Jack Bates)

The Yamaha BB1200S: A Game Changer

everything transformed when Hooky discovered the yamaha BB1200S. Over the years, he has owned ten ​of these instruments, retaining four. This model became his go-to, enabling him to perform ⁣tracks like “Blue Monday,” “Bizarre Love Triangle,” and “True Faith” with the tonal clarity he had long sought.

“The first Yamaha I owned, the 600, was stolen in America,” Hooky recalls with ⁣a‍ smirk. It was 1980, during New Order’s inaugural U.S. tour. “Everything was taken. They broke into‌ the van and drove off with‌ it all. I went ⁢to Manny’s on 48th Street,a legendary music store that no longer exists,and bought a Yamaha 800. Producer Martin Hannett ​suggested I get an Alembic preamp, but I was never satisfied with ⁤the sound of the 800. Then I saw the 1200S and thought, ‘This is the one!’”

“If Mick Jagger had come to me ⁤and put a gun to my head and said, ⁣’Play “Satisfaction,”‘ I would just have said, ‘pull ⁣the trigger, Mick.’”

– ‌Peter⁢ Hook

Jack’s Journey: Following in His‌ Father’s Footsteps

Jack​ began his musical journey on one of Hooky’s instruments ‍before acquiring his own. Hooky recalls buying him a Flea bass years⁣ ago, which ‌he humorously ⁤describes as “a terrible guitar.” “if I ever see that Flea, I’m going to give him ‍a piece ⁢of my mind,” he ⁣quips, showcasing his signature Manchester humor.

Interestingly, Hooky⁣ admits ‌he cannot tune or play by ear.⁣ “My mother ‍used to say, ‘You couldn’t‍ carry a tune in a bucket ‌- and she wasn’t wrong,’”⁢ he laughs.”Barney would come over and say, ‘Yoru ​bass is ‍out of tune,’ and⁢ I’d have to turn it around for‌ him to tune it.”

When electronic tuners⁣ became available, Hooky bought two instantly. “I⁤ was free,” he says, and the relief in ⁣his voice is palpable. He​ has as crafted some of the most recognizable bass lines in‍ rock history.

Jack, ‌conversely, ⁢possesses⁤ a natural​ gift for music that Hooky admires. “He can pick ⁣up a‌ riff by ear, which I can’t,” Hooky acknowledges. “So when I was fifth in line for the Rolling Stones in ⁤the early ’90s, if Mick​ Jagger‌ had come to⁢ me and said, ‘Play “Satisfaction,”‘ I would have just said, ‘Pull⁤ the trigger, Mick.’”

Peter Hook holds his son Jack Bates in an undated photo. Hook is the ⁢former Joy​ Division/New Order bassist

Hook⁤ holds ⁢Jack Bates in an⁢ undated photo.
(Image credit: Courtesy Jack Bates)

A‍ Father-Son Musical Bond

At 18, Jack played his first gig with his father in Monaco. He has since toured⁤ with the Smashing Pumpkins for over a decade, and Hooky finds both ‍amusement and pride in his son’s success. “The band he’s in⁣ now is much bigger than we ⁤are, and he handles it all with ease,” Hooky says. “The only issue is when I play a riff, and he says, ‌’You’re playing that wrong.’ I’ll respond, ‘I’m not – I wrote it!’ But usually, he’s right.”

“Billy’s done ‍a great job of turning Jack into a great man. I⁣ can’t thank⁤ him enough for that. They‍ look after him like royalty.”

– Peter Hook

It‍ was billy Corgan who played a‍ pivotal role in Jack’s journey. hooky first‌ met Corgan when he was just 14, a shy kid at a dinner Hooky hosted in Chicago. Years later,Corgan’s⁤ band was filling arenas.

During a Chicago show with ​the Light, ‌jack suggested inviting Corgan to sing “Love Will ‌Tear Us Apart.” Initially dismissive, Hooky changed his mind when Jack reached out ‌to Corgan on social media. Corgan agreed to join them on stage.

“Billy Corgan came down,⁤ sang ‘Love⁣ will Tear Us Apart’ ‌with us, ‌and then cheekily stole my son,” Hooky ​jokes, though warmth underlies his words. “Billy’s done a great job of​ turning Jack ​into ⁢a great man. I ​can’t thank him ⁢enough for⁢ that. They treat him like royalty.”

In a grand gesture, during a massive Pumpkins show in Mexico with over 50,000 attendees, Corgan ‌invited Hooky to perform “No Love​ Lost,” one of Joy Division’s earliest tracks, as the final song of their set. Hooky was unaware they would return for an encore, leading to some puzzled faces in the crowd.

Peter Hook of Peter Hook &​ the Light

Performing with a Gibson EB-2D bass.
(Image credit: Timothy Norris)

The Unique Style of Peter Hook

What sets Hooky’s playing apart from most⁤ bassists is a technique that many musicians struggle to ‍replicate: his right-hand style.​ Jack elaborates, “Customary bass players typically align with the rhythm⁢ of the‍ drums.But when you try to play like him, you have to forget everything you know.”

This is why​ seasoned american session bassists frequently enough find it challenging to master Hooky’s songs. They may hit the right ⁤notes,but the rhythmic,almost percussive quality that characterizes a Hooky bass line often ‌eludes them. “When they ⁣attempt to learn the songs, their left hand plays ⁢the ‍correct frets, but it’s the right-hand rhythm that ⁤trips them up,” Hooky explains. “They can’t get it right.”

Jack, having absorbed these lines through years of exposure, can replicate his father’s playing with remarkable accuracy. “You can’t tell that there are ‍two ‍people playing it. The rhythm and everything ‍is exactly⁤ the same,” Hooky expresses with pride.

Reflections on Musical genius

when asked about his​ favorite bass lines from Joy Division or New Order, hooky becomes contemplative and modest. “I’ve been incredibly lucky not to run out of riffs yet. Sometimes I listen to tracks like ’24‌ Hours,’ ‘She’s Lost Control,’ ⁣or ‘Disorder’ and think, ‘How did I do ‌that?’ It’s remarkable to see others play ‘Ceremony’⁢ or ‘Blue Monday’ ‍online, and I’m left wondering how I created such amazing music.”

“I’ve been insanely lucky to ​not get overdrawn at the riff bank yet,” he says of his genius for writng memorable bass hooks.

– Peter Hook

Hooky cites the bass line for⁤ New ⁤order’s “Age of Consent” as a personal favorite. he questions why ⁢Jack doesn’t pursue his own material or form a separate‍ band.”He doesn’t need to be in ​my shadow; he’s an exceptional bassist,” Hooky asserts.⁢ “He can play any style I can’t.”

Yet Jack is ⁢content where he is – playing alongside his father and helping to carry on the musical legacy.He dismisses any pressure that might come with such a heritage. “It’s just fun for me. If I ​can help bring my father’s music to those who want to hear it, that’s fantastic. I want to⁤ go everywhere because ‍there are people eager ⁤to hear him play,and ​I want to facilitate that. So,I don’t⁤ see it ​as a job,really.”

Peter Hook and his son Jack Bates ⁤(right), of Peter Hook‍ & the Light

“He doesn’t have to be in my ⁤shadow, because he’s such a great bass player,” Hooky says ⁤of Bates.
(Image credit: Courtesy Jack Bates)

Upcoming Tour and Musical Reflections

Jack and Peter are ​set to kick off their ⁣North American tour this weekend with⁣ Peter Hook and the Light, performing the complete New Order album⁢ Get Ready as part of their ongoing Joy Division/New Order ‍series.This album was⁤ created during a rare period of camaraderie with frontman Bernard Sumner in the later years of Hook’s tenure with New order.

“On Get Ready,‍ both Bernard and ​I​ rediscovered our friendship, making the album’s creation enjoyable,” ​Hooky reflects. “It mirrored ​the friendship we had⁣ when ‍we formed Warsaw in 1976. We collaborated seamlessly with producer Steve Osborne, and Barney never took his frustrations out on me; he directed them⁤ at Steve instead.”

“Nobody ⁢believed in Joy Division more than him. He would have ⁢absolutely bloody loved that.”

– Peter Hook

“It worked well in that respect. Upon completing the record, ⁣we felt very united. I don’t know why, but it’s the most enjoyable album to perform from all the ones we’ve done.”

With the rock & Roll Hall of Fame induction approaching this November, the other members of Joy Division/New Order have opted not to attend. Hooky will accept the honor on behalf of the fans. There’s a hint of bitterness in his words: “I would rather die than be anywhere near those ‍bastards,” he states, yet there’s also a sense of pride in continuing ​the legacy alone.

One⁢ can’t help⁣ but wonder⁢ what ian Curtis would think of ‍this momentous occasion.

“Ian⁣ was always Joy Division’s biggest​ supporter,constantly motivating us and lifting our spirits. ‍He would often⁤ say, ‘We’re going‍ to be big in Brazil. We’re going to be big in Mexico. We’re going ​to be big in Portugal.’”

“Nobody believed⁣ in Joy Division more than him, and to receive this ⁤recognition alongside so many bands we admired – he would ‌have⁣ absolutely loved it.”

What emerges from ⁤the hour-long conversation⁢ between Hooky and Jack is a rare sight in rock music: a genuine, uncomplicated bond between a father and⁤ son who​ are also ​musical collaborators.

“We have a typical family love-hate relationship.We argue and ‍make⁣ up,” Hooky shares. “I love him dearly, and I always will.It’s ⁢as simple as that. As a father, I’m incredibly proud of him. It’s a marvelous‍ experience. Honestly, it’s very special.”

Jack’s dedication is equally evident. “No ⁤matter where I am, I will always make an effort to return from a Pumpkins show to support one of his ‍gigs,” he states.”There’s nothing better than doing that.”


Peter Hook & the Light will‌ commence their North American tour on August 22 ⁣in Cincinnati. For complete tour details, visit PeterHookandTheLight.live.

Peter Hook unplugged: The Basslines That Shaped Joy Division and⁤ New Order – ​’how Did I Pull That‍ Off?’

Peter Hook Unplugged: The Basslines That Shaped Joy Division and New Order – ‘How Did I Pull That ‌Off?’

the Unique Sound of Peter Hook

Peter Hook,⁣ the legendary bassist known for his work with Joy Division and New Order, has crafted some of the most memorable basslines in music history. His distinctive style, characterized by melodic hooks and a driving rhythm, has⁣ left an indelible mark on the post-punk and electronic⁢ music ‍scenes.

Signature Basslines That Defined an ⁤Era

Hook’s basslines are not just background rhythms; they are integral to the songs themselves. Here are some of his most iconic contributions:

  • “Love Will Tear Us Apart” – A haunting melody that captures the⁤ essence of Joy Division’s sound.
  • “Blue Monday” – The best-selling 12-inch single of all ‌time, showcasing hook’s innovative use of synthesizers and bass.
  • “Bizarre Love Triangle” -⁣ A perfect blend of catchy ⁢hooks and⁣ danceable grooves.
  • “Disorder” – The opening track of Joy⁣ division’s debut album, setting the tone for the band’s unique sound.

Understanding ⁢Hook’s Bass Beliefs

To appreciate Peter Hook’s basslines,one‍ must‌ delve into his philosophy regarding music and instrumentation. hook believes that the bass should not merely support the rhythm but should also carry ⁣the melody. This approach has ⁤led to some of the most memorable hooks in modern music.

Influences and Inspirations

Hook’s style is⁣ influenced⁢ by various genres, including punk, rock, and electronic music.His early experiences with instruments ​shaped his unique sound:

Instrument Year Importance
Echo Gibson SG Copy 1976 Hook’s first bass, setting ‍the stage for‍ his musical journey.
Hondo 1977 Used ‌during early Joy​ Division performances, became iconic.
Yamaha BB1200S 1980s Hook’s preferred instrument for New Order hits.

Case Study: The Making of “Blue Monday”

“Blue Monday” is ‌a prime example of‍ Hook’s innovative approach to bass playing. The song features a distinctive bassline that drives the track, combined with electronic elements that where groundbreaking at the time.Hook’s use‍ of synthesizers alongside his‌ bass guitar created a sound that was both fresh and influential.

Behind the Scenes

During the recording​ of “Blue Monday,” Hook experimented with ⁤various sounds and techniques, leading to the creation of a bassline that not only complemented the song but also‌ became a defining feature of⁣ the track. His‌ ability to blend traditional bass playing with electronic music paved‌ the way for future genres,including synth-pop and electronic dance music.

Practical Tips for Aspiring bassists

If you’re looking to emulate Peter Hook’s unique style, here are some practical tips:

  • Focus on Melody: Don’t just play the⁢ root notes; create melodic lines that enhance the song.
  • Experiment with Effects: Use effects pedals to‍ add depth⁣ and texture to your ⁢sound.
  • Learn from the ⁣Masters: Study Hook’s ⁣basslines and‍ try to replicate them to understand his technique.
  • Collaborate: ‍Work with othre ​musicians to explore different styles and sounds.

First-Hand Experience: hook’s ‍Musical Journey

Peter Hook’s journey through music has been filled with challenges and triumphs. from his early days with⁤ joy Division to his⁣ current work with Peter ⁣Hook & the Light, he has remained⁣ a pivotal figure ⁣in the music⁣ industry. His ability to adapt and evolve has kept ⁢his sound relevant across decades.

Reflections on His‌ Career

In interviews, Hook often reflects on his career with ‍a mix of pride and humility. He acknowledges the influence of his bandmates and the collaborative spirit that defined Joy Division ‍and New Order. ‍Hook’s candidness about his struggles with tuning⁢ and playing⁤ by ear adds a relatable aspect to his story,showing⁢ that even legends face challenges.

Benefits ⁤of Understanding Hook’s Style

Learning about Peter Hook’s approach to⁣ bass playing offers several benefits:

  • Enhanced Creativity: Understanding his techniques can ⁣inspire you to think outside the box.
  • Improved Musicality: ⁤Focusing on melody and rhythm can elevate your playing.
  • Broader⁣ Genre Knowlege: Exploring Hook’s influences can expand‍ your musical horizons.

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