As guitarists, we frequently enough depend on familiar shapes adn patterns, whether we realize it or not. This encompasses both scales and chords. Certain chord shapes are termed ‘movable’, indicating they can be shifted across the fretboard while maintaining their sound integrity.
Conversely, some shapes-notably those that involve open strings-are fixed in their positions, suggesting they can only be played in specific locations on the guitar neck.
For our regular readers, you might recall that we frequently challenge this conventional wisdom by experimenting with thes fixed shapes in various positions, frequently enough yielding unexpected and delightful results.
Exploring Recycled Chord Shapes
In this exploration, instead of beginning with a conventional position and then relocating the shape, we dive directly into unconventional placements-hence the term ‘recycled’ chords.
The shapes may appear familiar, yet the resulting sounds can be quiet different. While this might lead to complex nomenclature, the essence lies in the sound itself. Interestingly, three of the examples we’ll discuss are add2 chords, illustrating that not all recycled shapes conform to a single pattern.
Example 1: Fmaj7add6/A
By shifting an Amaj7 chord up one fret,we arrive at the jazzy Fmaj7add6/A. While the name might seem overwhelming, the focus should be on the sound it produces. This chord was notably used by Jimmy page in the classic track Ten Years Gone.
Example 2: Fadd2
By taking a C major shape and relocating it to the 8th fret, we create an Fadd2 chord, utilizing the G note on the open third string. If we allowed the high E string to ring out, we could also incorporate a maj7, but for simplicity, we’ll keep it concise.
Example 3: Fadd2 Variation
this variation of the Fadd2 chord adds a high C (the 5th) on the first string, sacrificing the sixth string for a richer high-end texture. this technique is effectively utilized by Steve Howe during the ‘Würm’ section of Starship Trooper by Yes.
Example 4: Cadd2
By recycling a G shape and moving it to the 8th fret, we derive a Cadd2 chord. This chord has been featured in songs by bands like Supergrass, The Pretenders, and Rush. To clarify, an add2 chord includes the 3rd of the chord (E in this case), while in sus2 chords, the 3rd is replaced by the suspended note.
Example 5: E7
By shifting a B7 chord to the 7th fret, we create a shining E7 chord.While there may not be an immediate example that springs to mind, this chord undoubtedly finds its place in various songs. The open second string (B) complements the chord perfectly, providing the 5th note.
