In honor of the Fender Telecaster’s 75th anniversary, Guitar World gathered an electrifying ensemble of Telecaster enthusiasts, all of whom are accomplished musicians, to determine who and what should be immortalized in a rock-solid tribute to the guitar that revolutionized music.
Who Would You Choose for Your Telecaster Hall of Fame?
Mike Campbell: My picks are James Burton, Jimmy Page, and Jeff Beck. I also have to include mike Bloomfield, who absolutely shined on that debut Paul Butterfield blues Band album [self-titled, 1965]. I played that record until it was worn out. His Telecaster work was phenomenal and truly inspired my love for that sound.
John 5: I’d go with Jerry Reed and Brent Mason, who inspired me with his unique Telecaster style.jerry Donahue is another favorite of mine for his astounding behind-the-nut bends, and of course, Keith Richards is a must-have on this list.
John Osborne: Brent Mason has introduced countless fans to the Telecaster through his work on country records.I’d also include Vince Gill, Danny Gatton, and Steve Cropper. And as a bonus, Albert Lee deserves a spot to.
Joanne Shaw taylor: Albert Collins is a true icon; his vibrato is one of the most recognizable in guitar history.Than there’s Prince, who remains one of the most underrated guitarists. Keith Richards has crafted more iconic riffs than anyone else alive, and Jeff Buckley, though often overlooked, created stunning guitar parts during his brief career.
Greg Koch: I’d choose Jimmy Bryant for being the original,James Burton for his pioneering fingerpicking,Albert Collins for his unique tone and skills,Roy Buchanan just because,and Danny Gatton for his sheer brilliance.
Kirk Fletcher: My list includes Prince, Bobby Womack, Eddie Hinton, Albert Collins, Reggie Young, Cornell Dupree, David Spinozza, Al McKay, Clarence “Gatemouth” Brown, Jesse Ed Davis, John Leventhal, Roy Buchanan, Roy Nichols, Brent Mason, Guthrie Trapp, Mike Stern – and I’m sure I’ve left out many greats. and without a doubt, Robben Ford deserves a mention!
Keith Urban: I’d go with James Burton, Keith Richards, Ray Flacke, and Brent Mason.
Brent Mason: my choices are Jerry Reed, James Burton, Roy Nichols, and Danny Gatton.
Jim Weider: Roy Buchanan for his incredible tone and expression; James Burton for his fingerpicking style; steve Cropper for his rhythm playing that set the standard; and Jesse Ed Davis for his touch and feel.
Hugh Cornwell: James Burton is the epitome of the Telecaster. Then there’s Steve Cropper, a model of longevity, and Wilko Johnson, whose style is uniquely his own.
J Mascis: D. Boon from Minutemen for his lovable energy and inventiveness. Keith Richards for his endless riffs and cool solos. “Cousin” Kenny Vaughan from Marty Stuart’s band for his ripping country and rock licks, and Terry Reid, who I adored seeing with a Tele at Glastonbury [1971].
Christone “Kingfish” Ingram: Prince for his unique approach to the guitar. Albert Collins for that icy, cutting tone-“Frosty” says it all. cornell Dupree for his taste and groove, showing how musical a Tele can be without overplaying. Keith Richards for his rhythmic attitude that makes the Tele sound like a full band.Roy Buchanan and Danny Gatton pushed the instrument in ways that still amaze. Honorable mentions go to Bill Kirchen and Freddie Stone!
Watch On
What are Your Favorite Telecaster Riffs or Solos?
mike Campbell: I immediately think of the first Led Zeppelin album-those riffs in Dazed and Confused and Good Times Bad Times are unforgettable.
John 5: Can you believe jimmy Page played the Stairway to Heaven solo on a Tele? That’s just incredible! I also love the Rolling Stones tracks where Keith Richards uses a Tele, like Honky Tonk Women, and Jerry Reed’s Jerry’s Breakdown on a Tele is a classic.
Greg Koch: Check out the Nightrider by Jimmy Bryant & Speedy West, Ice Pick by Albert Collins, Albert Lee’s solo on Dave Edmunds’ Sweet little Lisa, Roy’s Bluz by Roy Buchanan, and any version of Danny Gatton performing Harlem Nocturne.
Brent Mason: I love Two More Bottles of Wine, featuring Albert Lee’s solo on Emmylou Harris’ single. Also, Workin’ Man Blues for James Burton’s intro and solo, Alabama Jubilee with Jerry reed’s iconic intro, and Goodnight, Irene with Reed’s solo. Plus, Honky Tonk Night Time Man with Roy nichols’ solo. these tracks inspired my Tele playing as a kid, especially watching my Uncle Terry with his white Tele and blackface Super Reverb!
Kirk Fletcher: I’d highlight Rainy night in Georgia by Brook Benton, I’m in Love by Wilson Pickett, and Memphis Soul Stew by King Curtis, particularly the live Fillmore version with cornell Dupree. Also, Done Change My Way of Living by Taj Mahal featuring Jesse Ed Davis, Natural Anthem by Jesse ed Davis, Frosty by Albert Collins, Jesus Just Left Chicago by ZZ Top, Sweet Dreams by Roy Buchanan, Swinging Doors by Merle Haggard, and Start It Up by Robben Ford, among many others!
Celebrating Iconic Guitar Solos: A Tribute to Telecaster Legends
Keith Urban: Some standout tracks include Guitars & Cadillacs by Dwight Yoakam, featuring Pete Anderson on guitar, Crazy Little Thing Called Love by Queen with Brian May’s unforgettable solo, and Alan Jackson’s Country Boy and chattahoochee, both showcasing the talents of Brent Mason. Additionally,Highway 40 Blues by Ricky Skaggs is a must-listen.
Taylor Goldsmith: I can’t overlook classics like Brown Sugar by The Rolling Stones, Born to Run by bruce Springsteen, Paranoid Android by Radiohead, Breakdown by Tom Petty, Mama Tried by Merle Haggard, and Let It Be by The Beatles.
Jim Weider: Paul Burlison’s rendition of Train Kept-a-Rollin’ is a masterclass in thumb and finger technique.Roy Buchanan’s Sweet Dreams is beautifully melodic, while Jesse Ed Davis shines on Jackson Browne’s Doctor My Eyes with his expressive solo and double-stop bends. I also admire any live performance of james Burton with Elvis Presley, as well as Ricky Nelson’s work featuring his unique country bends. Clarence White’s live performance of Eight Miles High with the Byrds, using his B-bender, is another highlight.
J Mascis: I have to mention Happy by The Rolling Stones for its explosive riff right from the start, and Dialog Breakdown by Led Zeppelin for its relentless energy. Last Word by Youth Brigade is a buzzsaw of chaos, while American Girl by Tom Petty and the Heartbreakers is a timeless classic with a magical lead at the end. Lastly, Cut by Minutemen is both piercing and harmonious.
Hugh Cornwell: James Burton’s solo on Ricky Nelson’s Just a Little Too much is a personal favorite from my teenage years; it’s a perfectly crafted solo that stands out.
Christone “Kingfish” Ingram: The live version of While My Guitar Gently Weeps by Prince is unforgettable; it felt like he was channeling everything through that performance. [Ed. Note: In that iconic 2004 video, Prince was actually playing a Hohner Madcat, while a Telecaster was present, played by Jeff Lynne.] I also love Frosty by Albert Collins,Hey Joe by roy Buchanan,Brown Sugar by The Rolling Stones,and Hot Rod lincoln by Bill Kirchen. Each of these tracks comes from different musical realms, which is part of their charm.
Joanne Shaw Taylor: I’d highlight Iced Over by Albert Collins, Grace by jeff Buckley, and Prince’s rendition of While My Guitar Gently Weeps.Additionally, Jumpin’ Jack Flash and Tumbling Dice by The Rolling stones are essential listens.
Telecaster Legends: Insights from Iconic Guitarists
graham Coxon: One of my all-time favorites is Country Boy by Heads Hands & Feet featuring Albert Lee. His performance is absolutely electrifying! I frequently enough share this track with friends as it brings so much joy.Additionally, I have a soft spot for early Led Zeppelin, especially when Jimmy Page played his Dragon Telecaster before switching to a Les Paul. Those were wild times! And let’s not forget early Eric Clapton with the Yardbirds-what a thrilling era that must have been.
Reflecting on the Nashville scene, I know there are many talented musicians who might wonder, “Who is this Graham Coxon?” They are the ones truly mastering the Telecaster, playing it with finesse and skill.
Marty Stuart: When you think of Johnny Cash and the Tennessee Three, there are countless renditions of Folsom Prison Blues. Though, the live version featuring Luther Perkins takes me back to when I was nine and received my first guitar. It encapsulates everything I adore about music. Another standout is Merle Haggard’s Workin’ Man Blues,with James Burton’s solo-if they recorded it again,it would never capture that same magic. They truly caught lightning in a bottle.
Then there’s Clarence White’s incredible solo on This Wheel’s on Fire from Dr. Byrds & Mr.Hyde-what a unique sound! And let’s not overlook Love’s gonna Live Here by Buck Owens and the Buckaroos. If Don Rich had lived, just like Clarence White, who knows how far he could have pushed the boundaries of music?
Why the Telecaster? Insights from Renowned Guitarists
John 5: As kids,we often find ourselves captivated by certain things. for me, it was the Telecaster. I started with an acoustic guitar at six, but when I saw the electric guitars on Hee Haw, I was mesmerized. They looked so shiny and unique; I thought there was no other shape for an electric guitar besides a Telecaster. The musicians on that show used Teles, and I was instantly hooked.
It was the only Fender that was available to me in my formative years, and it just so happened to be the perfect tool for what I do.
Greg Koch
Greg Koch: The Telecaster was the only Fender I had access to during my early years, and it turned out to be the ideal instrument for my style. While I appreciate other guitars, the Telecaster and its variations always feel like home. If I need to grab just one guitar, it’s definitely the Telecaster.
Brent Mason: The Telecaster is versatile enough for any genre-be it country, rock, jazz, or blues. Its tone, pickups, and construction contribute to its unique character, and it’s nearly indestructible!
Keith urban: The Telecaster is like the staple of any guitarist’s diet; it adapts to any playing style, whether you’re gentle or aggressive with it.
Joanne Shaw Taylor: I began with a Strat, which I still enjoy for rhythm, but I find the Telecaster offers a sharper bite and versatility that suits my playing style better.
Jim Weider: The Telecaster was a staple in the ’60s, played by guitar legends I admired, such as Steve Cropper, James Burton, Rick Nelson, Jeff Beck, Robbie Robertson, and Roy Buchanan. I’ve always loved the look and feel of the telecaster.
Strumming Legends: The All-Star Guitar Panel Reveals Their Telecaster Mount Rushmore
The telecaster: A Guitar Icon
The Fender Telecaster, often simply referred to as the “Tele,” has been a cornerstone of modern music since its inception in the early 1950s. Known for its distinctive sound and versatile playability, the Telecaster has been embraced by countless musicians across various genres.From country to rock, blues to pop, the Telecaster has left an indelible mark on the music landscape.
Meet the All-Star Guitar Panel
To celebrate the legacy of the Telecaster, an all-star panel of guitarists came together to discuss their favorite players and tracks that have shaped the instrument’s history. This panel includes renowned musicians who have made meaningful contributions to the world of guitar playing.
Featured Panelists
- Mike Campbell
- John 5
- Greg Koch
- Joanne Shaw taylor
- Brent Mason
- graham Coxon
Telecaster Mount Rushmore: Iconic Players and Their Unforgettable Tracks
Here’s a look at the legendary players chosen by the panel and the tracks that define their contributions to the Telecaster legacy.
| Guitarist | Iconic Track | Why They Matter |
|---|---|---|
| James Burton | Suspicious minds – Elvis Presley | Known as the “Master of the Telecaster,” Burton’s fingerpicking style revolutionized country and rock music. |
| Jimmy Page | Stairway to Heaven – Led Zeppelin | Page’s use of the Telecaster in this classic rock anthem showcases its versatility and power. |
| Albert Lee | country boy – Heads Hands & Feet | Lee’s lightning-fast licks and unique style have made him a Telecaster legend in the country genre. |
| Keith richards | Start Me Up – The Rolling Stones | Richards’ iconic riffs on the Telecaster have defined rock music for decades. |
Benefits of playing the Telecaster
The Telecaster is not just a guitar; it’s a tool that can enhance your playing experience.Here are some benefits of choosing the Telecaster:
- Versatility: Suitable for various genres, including rock, country, blues, and jazz.
- Durability: Built to withstand the rigors of touring and live performances.
- Distinctive Sound: Known for its luminous, cutting tone that stands out in any mix.
- Comfort: Lightweight and easy to handle, making it ideal for long playing sessions.
Practical Tips for Telecaster Players
Whether you’re a seasoned player or just starting, here are some practical tips to get the most out of your Telecaster:
- Experiment with Pickup Settings: The Telecaster’s two pickups offer a range of tonal options. Try different combinations to find your unique sound.
- Use Effects Wisely: While the Telecaster has a grate natural tone, adding effects like reverb or delay can enhance your sound.
- practice Fingerstyle Techniques: Many Telecaster legends use fingerstyle playing.Incorporate this technique into your practice routine.
- Explore Alternate Tunings: Experimenting with different tunings can unlock new creative possibilities.
Case Studies: Telecaster in Action
Let’s take a closer look at how some of these iconic players have utilized the Telecaster in their music:
James Burton and Elvis Presley
James Burton’s work with Elvis Presley on tracks like Suspicious Minds showcases the Telecaster’s ability to deliver both rhythm and lead parts seamlessly. Burton’s fingerpicking style added a unique flair to Presley’s sound, making it unforgettable.
Jimmy Page and Led Zeppelin
Jimmy Page’s use of the telecaster in Stairway to Heaven is legendary. The guitar’s bright tone complements the song’s intricate arrangements, proving that the Telecaster can hold its own in rock music.
Albert Lee’s Country Boy
In Country Boy, Albert Lee demonstrates the Telecaster’s capabilities in country music. His fast-paced licks and smooth bends highlight the guitar’s versatility and responsiveness.
Keith Richards and The Rolling Stones
Keith Richards’ riff in Start me Up is one of the most recognizable in rock history. The Telecaster’s punchy sound perfectly matches the energy of the song, making it a staple in Richards’ arsenal.
Frist-Hand Experiences from the panel
Here’s what some of the panelists had to say about their experiences with the Telecaster:
John 5: ”The Telecaster was the first electric guitar I fell in love with. Its sound is so distinctive, and it has a character that resonates with me.”
Greg Koch: “It was the only Fender available to me in my formative years, and it turned out to be the perfect tool for my style of playing.”
Brent Mason: “The Telecaster is perfect for any musical situation. Its tone and durability make it a go-to for any genre.”
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