Celebrating the Centenary of B.B. King: A Tribute by Joe Bonamassa
As we approach what would have been B.B. King’s 100th birthday in 2025, it’s a fitting time to reflect on the profound impact he had on the world of music. My journey with B.B. began in 1990 when I was just 13 years old, and from that moment, we forged a friendship that lasted a lifetime. He was not only a musical genius but also one of the kindest souls I have ever encountered.
in honor of his legacy,I recently released a tribute album titled Blues Summit 100. Although B.B. left us at the age of 89 on May 14, 2015, his musical contributions remain timeless. His catalog is filled with some of the most iconic blues recordings, and the influence he has had on guitarists like myself is immeasurable.
The title of my tribute album pays homage to B.B.’s 1993 work, Blues Summit, which featured collaborations with legends such as Buddy Guy, John Lee Hooker, and Albert Collins. In a similar spirit, blues Summit 100 showcases an array of talented musicians, including Buddy guy, Slash, Marcus King, Jimmie Vaughan, and Kirk Fletcher, among others.
The Signature Sound of B.B. King
When discussing iconic guitarists, there are few whose sound is instantly recognizable. With B.B. King, it only takes a single note to identify him. His unique vibrato and expressive playing style are hallmarks that set him apart from the rest.
B.B. King’s approach to soloing was characterized by captivating melodic phrases. as an example, a lick in the key of B, utilizing both B major and B minor pentatonic scales, exemplifies his style. This lick, often referred to as the ”B.B. box,” is played in the 12th position, with the first finger anchored on the 12th fret of the B string.The first bar features a crucial whole-step bend from F# to G# on the second beat, showcasing his signature technique.
In the second bar, I accentuate a high B note, followed by a slide down to the 7th position, culminating in a fast descending lick that embodies B.B.’s distinctive phrasing.
Exploring B.B. King’s Techniques
In another example, I begin in the same box but transition down to the 7th position for faster phrases rooted in the B minor pentatonic scale, concluding with a nod to the B major pentatonic by incorporating the 6th, G#.
B.B. was often quicker than many realized, effortlessly executing licks in nearly every song. His style was also influenced by jazz greats like Charlie Christian and Django Reinhardt, which is evident in phrases that mimic horn lines.
To signal a key change, B.B.would frequently enough play a lick in Bb, and as the band followed suit, he would launch into expressive lines, starting with a chordal stab. His catalog is rich with original licks, many of which have found their way into my own playing.
Personal Favorites and Lasting Influence
As a blues musician, B.B. King remains my ultimate inspiration. Some of my favorite albums include Indianola Mississippi Seeds, featuring the track Changing Things, Entirely well with the iconic The Thrill Is Gone, and the electrifying Live at the Regal.
B.B. King’s originality and powerful playing style have left an indelible mark on music. His ability to adapt to any musical setting while maintaining his unique sound is a testament to his artistry. Here’s to celebrating the 100th birthday of the legendary B.B. king!
