Redefining Guitar virtuosity: Joe Bonamassa on B.B. KingS Unique Genius
When we think of guitar virtuosity, we frequently enough envision technical prowess-the remarkable ability to execute intricate passages with precision and artistry. This is what has earned legendary players like Steve Vai, Jeff Beck, and Larry Carlton their esteemed titles. However, Joe Bonamassa invites us to reconsider this definition, offering a fresh perspective on what it truly means to be a guitar virtuoso.
bonamassa’s Tribute to B.B. King
In his latest release,B.B. King’s Summit 100, Bonamassa collaborates with a diverse array of musicians, including icons like buddy Guy and George Benson. This tribute album not only honors King’s legacy but also showcases the intergenerational dialog within the blues genre.
Challenging Conventional Wisdom
During an interview with Ultimate Guitar, Bonamassa was asked what sets B.B. King apart, especially considering he may not fit the traditional mold of a virtuoso. Bonamassa responded with a thought-provoking challenge to the question itself.
“I challenge the premise of the question,” he stated. “Virtuosity manifests in various forms. B.B. King is one of the few guitarists whose sound is instantly recognizable with just one note.”
He continued,”Can you name another guitarist who can be identified by a single note? Perhaps Eric Clapton,but it would be a stretch.” Bonamassa emphasized that King’s brilliance lay not in flashy techniques but in his ability to convey emotion through simplicity, even if he was deceptively quick in his earlier recordings from the 1950s.
The Power of Restraint
Bonamassa advocates for a “less is more” ideology in guitar playing. In a recent discussion with Gibson, he urged guitarists to embrace restraint, notably in ensemble settings, and to utilize their volume controls effectively.
“Leave some space in your playing,” he advised. “The era of intense guitar duels,reminiscent of Ralph Macchio and Steve Vai,is behind us.”
This lesson was one Bonamassa learned through experience. He recalls Leslie West once telling him he would be his favorite guitarist if he played fewer notes.
Learning from the Greats
Even Eric Clapton has acknowledged his tendency to overplay. In a candid 1986 interview,he expressed regret over his excessive note choices,wishing he had opted for a more meaningful approach. “I always overplay,” clapton admitted.”Listening back, I often think I could have conveyed the same message with just three notes instead of ten.”
In contrast,David Gilmour has turned his slower,melodic style into a strength,proving that speed isn’t everything. Bonamassa echoes this sentiment, asserting that impactful guitar playing is about making a statement rather than racing through notes.
The Kings of Blues
Bonamassa highlights the distinct contributions of the three Kings of blues-B.B., Albert, and Freddie. “To quote Warren Haynes, Albert King is perhaps the most original guitarist ever,” he remarked. “He emerged from nowhere, and his influence is undeniable.”
“Freddie was undoubtedly tougher, both in music and personality, while B.B. achieved commercial success. Choosing a favorite among them is impossible; each brought something unique to the table.”
A Personal Connection
Bonamassa’s connection to B.B. King runs deep; he opened for King at just 12 years old. Reflecting on that experience, he recalls, “That summer, I played around 20 shows with B.B. He was the kindest person I encountered in the music industry. His advice on managing finances and ensuring fair payment shaped my career.”
In other news, Bonamassa has drawn parallels between Ozzy Osbourne and the godfather of British blues, while also sharing insights on what aspiring guitarists should consider when purchasing a guitar.
